CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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Best of 2018: Fiction
by PAUL SIMON
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
THE SUBJECT of Marc Mulholland's The Murderer of Warren Street (Hutchinson) is the 19th century proto-socialist Emmanuel Barthelemy and, while the book is a work of non-fiction, it's as fast-paced and eventful as any novel.
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JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
STEPHEN ARNELL looks back to when protesters took to the streets in London demand to Irish liberty, fair pay and free speech — and wonders what’s changed in 138 years
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright