ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
Breadth and barnstormers at Celtic Connections
CONRAD LANDIN sees the annual musical festival get off to a strong start
Charismatic: Delgres
Re-releases of the classics Gypsy Rhumba and Buena Vista Social Club, and a stunning album by Palestinian artist Faris Ishaq
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
Syne of the Times
Royal Concert Hall
★★★
Delgres
Drygate Brewery
★★★★★
SCOTLAND always sees in the New Year in style and my own head was testament to that on January 1. But it didn’t feel like 2019 had truly begun until the opening of Celtic Connections, with the comforting knowledge that this wonderfully eclectic celebration of the traditional genre and its impact across the musical world will continue until the start of next month.
The world-famous festival opened with a taster session of its sheer breadth at Glasgow’s Royal Concert Hall. Kin and the Community, a film made by Uist musician Padruig Morrison, brought this year’s guiding theme — the handing down of tradition — to the fore.
With just a handful of musicians providing a live accompaniment, it was a little underwhelming as kick-offs go. True, the numbers gradually swelling on stage made for a nice effect but, patient as I am, I had to sympathise with the high-profile figure I saw slipping out after the first half.
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