Skip to main content
Donate to the 95 years appeal
Weeded out
Birds of Passage powerfully illustrates how the cannabis trade is wiping out one of Colombia's indigenous peoples, says MARIA DUARTE

Birds of Passage (15)
Directed by Cristina Gallego and Ciro Guerra

FROM the team behind the Oscar-nominated Embrace of the Serpent comes another bold and ambitious drama which takes a unique look at the birth of the drugs trade in northern Colombia and its brutal effects on an unsuspecting indigenous community.

It examines the devastating impact of savage capitalism endured by a Wayuu family as, corrupted by the wealth and power that the sale of cannabis brings, we witness their rise and fall.

Inspired by true events, the film spans the period from from the 1970s to the 1980s and its five chapters show how its protagonist Rapayet (Jose Acosta) first gets into drugs trafficking when he meets a group of anti-communist US fighters.

They are looking to purchase 50 kilos of weed and Rapayet, who desperately needs to raise funds for a dowry — 30 goats, 20 cows, five necklaces and two decorative mules — to win the hand of Zaida (Natalia Reyes) embarks on a slippery road to hell.

Her mother Ursula (Carmina Martinez) and their tribe’s matriarch warn him against the perilous path he is taking and how he is turning his back on their traditions and old ways.

This is a people who believe in spirits and omens and have never traded in money. Abundant shots of close-ups of birds and insects are ominous portents which Rapayet conveniently ignores at his peril.

The advent of prosperity sparks greed, petty jealousies, rivalry and treachery among family and close friends, ending in an all-out bloody war which brings the demise of this indigenous community’s innocent, simple and straightforward way of life.

With its vibrant use of colour, poetical tone and stunning cinematography, directors Cristina Gallego and Ciro Guerra deliver an audacious Colombian drugs-trade drama like you have never seen before.

You can’t help but mourn the loss of the Wayuus.

 

Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
fotw
Film of the week / 5 June 2025
5 June 2025

MARIA DUARTE recommends an exposure of the state violence used against pro-Palestine protests in the US

round up
Cinema / 29 May 2025
29 May 2025

The Star's critic MARIA DUARTE reviews Along Came Love, The Ballad of Wallis Island, The Ritual, and Karate Kid: Legends

fotw
Film of the Week / 29 May 2025
29 May 2025

MARIA DUARTE recommends the powerful dramatisation of the true story of a husband and wife made homeless

IMPECCABLE: Benicio Del Toro as  Zsa-zsa Korda and Mia Threapleton as his daughter Liesl in The Phoenician Scheme
Film of the week / 22 May 2025
22 May 2025

MARIA DUARTE is in two minds about a peculiar latest offering from Wes Anderson

Similar stories
Niousha Akhshi in The Seed of the Sacred Fig
Film of the Week: / 6 February 2025
6 February 2025
The Star's critic MARIA DUARTE is enthralled by a complex thriller, but advises caution in accepting its depiction of reality
The Battle for Laikipia
Film of the Week: / 3 October 2024
3 October 2024
Racial injustice, British colonialism and the climate crisis intersect to create the perfect storm in a new documentary, says MARIA DUARTE
Culture / 1 October 2024
1 October 2024
From Argentina, a novel by Federico Falco and a collection of chronicles by Hebe Uhart; and poetry by Belarusian-Argentinean Natalia Litvinova, and Chilean Vicente Huidobro
WE LOVE THE RED SOCKS SONNYBOY: LSO, conducted by Gianandrea
Concert review / 2 July 2024
2 July 2024
SIMON DUFF is thrilled by the provocative pairing of two major works from a time of profound ideological opposition