MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
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‘It feels like a more honest reflection of Britain’
Drummer MOSES BOYD tells Chris Searle why the album Alive in the East? is an authentic reflection of the direction jazz is taking in this country
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
GROWING up in south London, the musical tastes of drummer Moses Boyd’s family were nothing if not eclectic.
“My parents played lots of gospel and soul,” he tells me, “and as a teenager I listened to hip hop, garage and grime.
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CHRIS SEARLE waxes lyrical over Alan Skidmore’s tenor-tonic, Jeremy Pelt, and the Yusef Lateef Quartet
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
CHRIS SEARLE speaks to US saxophonist CAROLINE KRAABEL
CHRIS SEARLE recommends a work of love and deep admiration for a great musician