EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
GBOLAHAN OBISESAN'S adaptation of Chigozie Obiome’s profoundly moving debut novel —shortlisted for the Man Booker Prize — played to packed audiences at last year’s Edinburgh Festival and this London transfer eloquently confirms why it garnered the plaudits.
This elegiac story of almost mythical significance is told through the tragedy of one family ripped apart by fate and a father’s hubris.
Benjamin, the youngest of four brothers, recalls childhood events when the boys deserted school to fish in a forbidden river, where they encountered a local madman. His prophetic curse in response to the taunts of the oldest of the siblings then plays out with a fated inevitability in a two-man production that runs at just over an hour.
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
CAL McBRIDE relishes the lyrical truth of an unstable identity in an over-tidy and conventional social realist treatment
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY



