STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
Fyah in the soul
Jazz tubist THEON CROSS talks to Chris Searle about ‘the vibrations of human connection’ inspiring his latest album
Innovator: Theon Cross
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
LONDON-BORN tuba virtuoso Theon Cross has a powerful grasp of his instrument’s jazz ancestry and you can hear it on the rampant bass pulse of the rumbustiously beautiful album Fyah.
He started his musical journey listening to sousaphone players in New Orleans brass bands such as the Dirty Dozen, playing along to the basslines on their CDs.
More from this author
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
