LEO BOIX recommends a film that portrays how fascism feeds on ignorance, machismo and myth in isolated communities abandoned by the state
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The Sisters of Mercy, The Roundhouse, London
Curmudgeon-in-chief Andrew Eldritch is as ever the charismatic focus of the goth-rock veterans
Chris Searle speaks to Syrian/French flautist NAISSAM JALAL
With thousands of AI‑written, edited or ‘polished’ books being sold, LAURA BEERS hears an eerie echo of Orwell’s ‘novel‑writing machines’
ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
MASSED crowds, primarily dressed in black, eagerly gather at the Roundhouse for goth-rock pioneers The Sisters of Mercy and the audience’s expectation is testament to the band’s reputation, anthemic back catalogue and the rarity of their live shows.
Centre of attention: Andrew Eldritch Pic: Mendor
This is the first of just two headline gigs in Britain this year and a cheer erupts as the house lights dip, dry ice envelops the stage and the monotonous, repetitive beat of a drum machine booms starkly.
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