The bard celebrates two other fine practitioners of the art, and laments a lost brewer
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Trevor Watts at 80, Cafe Oto London
Veteran saxophonist defies the years with a fiery performance
Blowing up a storm: Trevor Watts
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This right-wing conspiracy theory is used to justify the coercive measures against gender, race and labour rights that best serve capitalism, attests GAVIN O’TOOLE
KENNY MONROSE recommends a new exhibition that highlights the significance of Black British music
ANGUS REID is bowled over by an exuberant film about the making of Keith Jarrett’s legendary concert
MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
PLAYING his alto and soprano saxophones with a rampant, joyous attack like a contemporary Sidney Bechet, from the very first notes Trevor Watts defies his advancing age.
The 80-year-old, a veteran of revolutionary bands like Spontaneous Music Ensemble and Amalgam from the 1960s and 1970s, rises to a seething ascent as he kicks backwards on reaching each sonic summit.
Veryan Weston’s chiming, intricate piano and the artistry of John Edwards’s bass and the mallets of the subtle, ever-inventive drummer Mark Sanders beat out a thunderous salute to Watts’s eight decades.
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