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How We Do by Triceratops + LINK
Bracing big band sound from quality quintet
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
THE TRIPLE-HORNED dinosaur Triceratops is also the name of a three-horn quintet led by 42-year-old Chicago trombonist John Yao.
First inspired by the trombone artistry of JJ Johnson, Frank Rosolino and Fred Wesley, after graduating from Indiana State University Yao played trombone in the Glenn Miller Orchestra.
Triceratops is a very different proposition. “The alto/soprano sax, tenor sax and trombone formation allowed me to get a big sound with just three horns,” he says. “Altoist Billy Drewes inspires me with his freewheeling, open approach, while tenorist John Irabagon is such a creative musician who structures his solos with an unlimited vocabulary.
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