JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
LITTLE Boots’s debut albums Hands — a selection of melodic and synth-based mini-symphonies — rightly saw the pint-size performer top the BBC’s Sound of 2009 poll.
Ten years on, the Blackpool-born and LA-based singer-songwriter — aka Victoria Hesketh — is back in town to perform that very album for a one-off celebration.
It's an 18-track odyssey which culminates in a mass stage invasion.
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
WILL STONE in entertained, and some, by the Irishman Shobsy and the Dutch/Kiwi combo My Baby



