DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
THERE was an inordinate amount of high-calibre films released this year, addressing hot topics such as racism, female empowerment, mad monarchs and a whole range of social and political issues.
Whittling down such a bumper crop is well-nigh impossible but in my top 10 is Peter Farrelly's stunning Oscar-winning Green Book. It's inspired by the real-life story and friendship of a working-class Italian American bouncer (Viggo Mortensen), hired to drive an African-American classical pianist (Mahershala Ali) on a tour of venues through the 1960s US South.
Yorgos Lanthimos's The Favourite is a totally surreal but stylish period drama set in 18th-century England about the ailing and unpredictable Queen Anne — the magnificent and Academy Award-winning Olivia Colman — and the two women (Rachel Weisz and Emma Stone) competing for her affections.
MARIA DUARTE recommends the ambitious portrait of an agricultural community confronted by the trauma of enclosure
The Star's critic MARIA DUARTE reviews Along Came Love, The Ballad of Wallis Island, The Ritual, and Karate Kid: Legends
MARIA DUARTE is in two minds about a peculiar latest offering from Wes Anderson
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE



