Reviews of Test Dept, Madli Marje Gildemann, and Heinz Holliger and Marie-Lise Schupbach
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A trawl for terse tales
Want to see your name in print? Now's your chance... ANDY HEDGECOCK explains how you can do it in this guide to writing 'flash fiction' and how you can submit your work to the Morning Star
JOHN GREEN appreciates an informative and readable account of the nation state and its current dilemmas, but doubts the solutions this author has to offer
JOHN MCINALLY recommends that this rational, reasonable and devastating case against the End Of Life Bill be read by every serious socialist activist
CHRIS SEARLE urges you not to miss Mark Sanders’ three night residency at Cafe Oto, Dalston, London
JENNY MITCHELL surveys the work of Hurvin Anderson, now a centrepiece of Britain’s white-dominated art establishment, and explores some of the complexities it opens up about British Caribbean identity
SOPHIE STOLL wallows in a fine live recording of old blues-infused folk songs immersed in American blue-collar culture
ANGUS REID and MARIA DUARTE review DJ Ahmet, Redoubt, They Will Kill You, and The Magic Faraway Tree
WHAT is flash fiction? Poet and fiction writer Nuala Ni Chonchuir describes it as “intense, urgent and often a little explosive, but also deep and clear.” All in fewer than 1,000 words.
One well-known flash is a six-word tragedy, sometimes attributed to Ernest Hemingway: “For sale, baby shoes, never worn.”
The most common formats are the drabble or micro fiction (100 words), the dribble or mini-saga (50 words), sudden fiction (750 words) and twitterature (280 characters). But a quick browse of online flash competitions reveals a more varied range of word lengths.
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