LEO BOIX recommends a film that portrays how fascism feeds on ignorance, machismo and myth in isolated communities abandoned by the state
DAVID KOLOANE, who died last year at the age of 81, produced work that shines with a rare glow of truth which will stand the test of time. Some of it can be seen in the exhibition of his work currently online at the Goodman Gallery in London.
Koloane grew up in the Johannesburg township of Soweto and although he’d been drawing since his schooldays, he recalled: “I was a late starter. I never knew that black people could become artists ... I was amazed to discover that black people were allowed in art galleries.”
Apartheid is at the root of his work, with his subject urban life as experienced by black Africans and modernism frees him to express oppression and resistance with a rare passion and subtlety which avoids simplistic didacticism.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
NICK MATTHEWS previews a landmark book launch taking place in Leicester next weekend



