RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
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Regent’s Park Open Air Theatre, London
TO MAKE it resonate with a modern audience, a revival of Rodgers and Hammerstein’s 1945 musical was always going to be a tall order. So it proves with this production.
Based on the 1909 play Liliom, many people simply don’t care about the explorations of marriage, women having lots of children and masculine pride in Ferenc Molnar’s work anymore.
So when meek and mild millworker Julie Jordan (Carly Bawden) falls for brutish carousel barker Billy Bigelow (Declan Bennett) and their love for each other causes them both to lose their jobs, we’re looking through what seems the lens of ancient history.
The Big Meeting isn’t simply nostalgia, it’s a happy day and a day to show resistance. HEATHER WOOD explains why
WILL STONE applauds a fine production that endures because its ever-relevant portrait of persecution



