Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Tremors of Discontent: My Life in Print 1970-1988
Nuanced and frank narrative of dedicated union activist
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ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
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Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
SOME on the left will have locked in their memory actions and moments which became vital to their political awakening and growth in consciousness, which Mike Richardson’s autobiographical account Tremors of Discontent calls to mind.
Powerfully stark and honest, he recounts and assesses his experiences in the 1970s and 1980s while an active print worker and SOGAT trade unionist in a Bristol printworks.
Richardson recounts his post-war boyhood as the son of working-class parents on Lockleaze council estate in Bristol’s northern suburbs, his secondary-modern schooldays and his first permanent job in a works producing printed packaging.
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