Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Twilight in the Crypt
Glasgow Cathedral Festival 2021
in concert
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Explore Ensemble
(with Lotte Betts Dean):
Suspended Animation
THE second concert of the Glasgow Cathedral Festival was an incredibly moving and hypnotic affair. The two composers Lawrence Dunn and Catherine Lamb have been ascending to stardom at a rate of knots, so to have the chance to have a dedicated performance in the mysterious magic of the cathedral crypt was already the makings of a wonderful night.
Dunn’s Sentimental Drifting Music did exactly what it said on the tin, but thanks to his skills as composer never drifted into new age cliches. Moments of completed “cadences” would fall away while the crypt rang out with the lingering tones.
Lamb’s Parallaxis Forma had the joy of a most professional and profound British premiere, with the star, Lotte Betts-Dean, showing her skills and prowess with the fewest of tones.
More from this author
BEN LUNN draws attention to the way cultural expressions of solidarity with Palestinians in the UK are being censored by Israeli-sponsored lawfare
BEN LUNN reports from a new music festival in New York, and singles out a breathtaking composition that protests directly against femicide in Mexico
The centenary of his birth is a chance to assess the remarkable combination of Marxism, activism and modernism in the works of Luigi Nono
As the debate around voluntary euthanasia returns, we now have some seriously disturbing evidence from those places where it has become recently legalised to convince us that Britain is not ready, argues BEN LUNN
