MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
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The electronic music fest returns with abundant and gripping surprises
DAZZLING: Caterina Barbieri and friends
[Neil Gardner]
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
RUTH AYLETT reviews two collections of outright political poetry
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
Re-Textured
Southbank’s Queen Elizabeth Hall and Printworks, London
LONDON’S electronic music festival set in brutalist buildings around the capital got off to a grand start on its launch in 2019.
Finally returning after a two-year pandemic-influenced delay, the festival has been pared back somewhat to just three events, but its vision to showcase some of the most unique experimental electronic artists out there is still very much intact.
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This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF
New releases from Nazar, Peter Gregson and Mesias Maiguashca
New releases from Nazar, Peter Gregson and Mesias Maiguashca
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step