The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
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Love is Glynde
JOE GILL wallows in superb evenings of jazz, funk and rap, and only regrets that savouring the music displaced his opportunity to heckle
VIRTUOSO: Yussef Dayes performs at Love Supreme Jazz festival
[Courtesy of Love Supreme Jazz Festival]
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
ANDY HEDGECOCK and MARIA DUARTE review The Thing with Feathers, Train Dreams, Sisu: Road to Revenge, and Wicked: For Good
GUILLERMO THOMAS welcomes a biography of WA Domingo, a key figure in the anti-colonial struggle in the Caribbean
Love Supreme Festival
Glynd, East Sussex
THE modern music festival can descend into an exercise in highly commercial nostalgia for old rockers and their fans. But some old acts are like rare gems that deserve new audiences.
On the Glynde estate in Sussex, hundreds gathered in fevered excitement in a huge tent as Ethiopian jazz legend Mulatu Astatke in a warm, soft voice introduced his next song, Freedom.
With his international band of top-flight musicians (trumpet, sax, cello, conga player, flute, double bass and drummer), what followed lifted that lucky audience into a state of mesmerised transcendence.
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