MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
“We need to safeguard those who every day struggle with the right to imagination”
CHRIS SEARLE interviews jazz pianist ALEXANDER HAWKINS
hawkins
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
“ALTHOUGH I also value the piano as a harp in a box, I love to think of it as 88 tuned drums.”
So says one of the true nonpareils of British piano jazz, Alexander Hawkins.
More from this author
CHRIS SEARLE speaks to drummer Steve Noble
CHRIS SEARLE interviews saxophonist Chris Williams about the extraordinary electro-acoustic album LEDLEY - a bold fusion of Jazz, football, and community spirit
CHRIS SEARLE speaks to Rwanda-born jazz vocalist INEZA
CHRIS SEARLE speaks to Ghanaian trumpeter PETER SOMUAH
