ALAN McGUIRE welcomes a biography of the French semiologist and philosopher
A proud and modest jazz revolutionary
Chris Searle speaks to saxophonist PHIL HARGREAVES about his new album PI, and his long-standing support for the WMA
Phil Hargreaves
[Richard Harrison] 
ALEX HALL is frustrated by a book that ducks a clear definition of terrorism and fails to perceive the role of the state in sponsoring it
JOE GILL wholeheartedly recommends an eloquent manifesto: how to change the world one local project at a time
Inspired by a photograph, a unique memorial in Michigan immortalises US true labour heroes. MICHAL BONCZA recalls a great story rarely told
MARIA DUARTE, LEO BOIX and ANGUS REID review Brides, Dead of Winter, A Night Like This, and The Librarians
MARIA DUARTE is entertained by a wry portrait of befuddled resistance to US authoritarianism
AN OUTSTANDINGLY original saxophonist and improviser is Phil Hargreaves, whose new album Pi with vocalist Maggie Nicols (together they are Siapiau), is living and timbral proof of that.
He is also a vice-president of the Workers’ Music Association, so music is only one expression of his love of freedom, although as he says: “the beauty of improvisation is, that at its best, it creates something perfectly fitted to the moment it was created.”
More from this author
CHRIS SEARLE speaks to US pianist Paul Cornish
CHRIS SEARLE encourages you to go hear a landmark performance, and introduces some of the musicians
CHRIS SEARLE hears the ordeal of the Palestinian people in the improvised musicianship of a UK jazz trio
Reviews of the Neil Charles Quartet, the Freddie Hubbard Quintet, and the Olie Brice Quartet
