GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Moving, mesmerising, memorable
PAUL FARMER highly recommends Reg Meuross’s tour Stolen From God, a collection of songs confronting the legacies of the slave trade
(L to R) Cohen Braithwaite-Kilcoyne and Reg Meuross
[supplied by the author]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Reg Meuross and Cohen Braithwaite-Kilcoyne with Karen Gledhill
Devoran Acoustic Sessions
SOME aspects of events, past or present can be too appalling to contemplate, so ambitious work such as Reg Meuross’s song cycle Stolen From God has a significant job to do leading our attention into and through the realities of a part of history that still has enormous implications in the contemporary world: the slave trade.
It does it well.
Meuross is currently touring the piece in the UK. His performance at Devoran was with Cohen Braithwaite-Kilcoyne on anglo concertina, melodeon and voice. Other tour dates will also feature Suntou Susso on kora, and different narrators.
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