The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Virtuoso exposure of colonialism
DAN GLAZEBROOK recommends an outstanding one-man show that explores the colonial history of Sierra Leone
Coleridge
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
Coleridge-Taylor of Freetown
Rotunda Theatre, Brighton
TAYO ALUKO’s third one-man play tackles the life of George Coleridge-Taylor, Sierra Leonean diplomat and nephew of black Victorian superstar composer Samuel Coleridge-Taylor.
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