Facing economic turmoil, Jim Callaghan’s government rejected Tony Benn’s alternative economic strategy in favour of cuts that paved the way for Thatcherism — and the cuts-loving Labour of the present era, writes KEITH FLETT
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The Tory Megacrapolis
Francis Ford Coppola’s latest film centred on a ‘New Rome’ gets STEPHEN ARNELL wondering about the similarities between lame-duck PM Sunak and one of the last Roman emperors, Honorius
Honorius
The economic value of disability benefits far outweighs their cost, argues Dr DYLAN MURPHY
As tensions rise in the Middle East, the role of Iran in the region’s political balance becomes ever more significant. STEVE BISHOP assesses the current situation
While slashing welfare and public services, Labour’s spring statement delivers a bonanza for death-dealing bomb merchants. We now see the true and terrible face of austerity 2.0, writes MICHAEL BURKE
Detailing the deluge of delusion and dishonesty pushed by the pro-war camp, IAN SINCLAIR identifies four key tactics corporate journalists use to confuse audiences and suppress opposition to the proxy war in the east
From ‘moral duty’ to ‘military Keynesianism,’ Labour manipulates language to justify slashing welfare but pouring billions into warfare, condemning communities like Glasgow South West to deeper poverty, writes MATT KERR
With politicians dismissing constituents’ fears of global war, the peace movement must look beyond Parliament to prevent catastrophe, writes TOM MORRISON
DIRECTOR Francis Ford Coppola’s epic Megalopolis premiered to mixed reviews in Cannes last week.
The plot concerns a “New Rome” on the Hudson (basically New York) blighted by an accident which throws the city into contentious debate as to its potential rebuilding. Either as a resident-friendly utopian “Megalopolis” of the future, or as just a barely functional updated version of the previous iteration.
Such debates have informed wannabe sci-fi-esque burghs such as Saudi Arabia’s proposed city The Line, a 500m tall, 200m wide, habitation extending 170km into the desert.
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There is no denying Thomas Cromwell's positive and progressive impact on English politics, argues STEPHEN ARNELL
