ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Attila the Stockbroker Diary: May 31, 2024
A shameless plug for Glastonwick festival, and a close shave at the Bar at the End of the World
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
SUMMER’s here, festival season’s here, and this weekend sees the one I have co-run for 29 years, Glastonwick, in the beautiful surroundings of Coombes Farm, West Sussex.
Our annual Beer, Music, Poetry & More Beer Festival: established in 1996 by co-founders beer guru Alex Hall, music/poetry co-ordinator yours truly and the late Roy Chuter, and based around a very simple idea, albeit one pioneering at the time.
It was the mid-1990s. I had performed at countless music festivals where the beer was the undrinkable urine of Satan and we had all attended vast quantities of beer festivals where it was a matter of iron principle that “the entertainment” had to start every song by informing the audience that they “woke up this morning” in a fake US accent.
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