MARIA DUARTE, JOHN GREEN and ANGUS REID review Power Ballad, Landmarks, My Mother’s Wedding, and Fairyland

GORDON PARSONS is disappointed by Kenneth Branagh’s lightweight Prospero in an ambitious rendition of the play

Chris Searle speaks to bassist PAUL ROGERS

MARJ MAYO recommends a well illustrated and very positive account of an extraordinary period in local government history

RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division

MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher