SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Album reviews with IAN SINCLAIR: September 23, 2024
New releases from Yasmin Williams and The War On Drugs, and a tribute album to Jesse Malin
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
MATTHEW HAWKINS pays tribute to the performance artist and costumier, Leigh Bowery
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
Yasmin Williams
Acadia
(Nonesuch)
★★★★
INSPIRED to take up the acoustic guitar after playing the Guitar Hero 2 video game, 27-year old Yasmin Williams now makes her debut for a (relatively) major label. The Virginia native plays the finger-style sitting with the instrument on her lap, conjuring stunningly beautiful, melodic contemporary folk music.
She significantly broadens her sound on Acadia, working with other talented musicians like Rich Ruth (synths) and William Tyler (guitars). On Harvest she is joined by Darian Donovan Thomas on violin, while Hummingbird is a foot-tapping bluegrass workout. Later tracks like Dreamlake and Malamu include electric guitar riffage, with the latter a tribute to her early guitar heroes Jimi Hendrix and Kurt Cobain.
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