The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
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Album reviews with IAN SINCLAIR: September 23, 2024
New releases from Yasmin Williams and The War On Drugs, and a tribute album to Jesse Malin
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End
CHRIS MOSS welcomes a radical history that brings marginalised stories and overlooked people and agencies to the centre
ANDREW HEDGECOCK relishes visual storytelling with no respect for genres, movements or styles
Yasmin Williams
Acadia
(Nonesuch)
★★★★
INSPIRED to take up the acoustic guitar after playing the Guitar Hero 2 video game, 27-year old Yasmin Williams now makes her debut for a (relatively) major label. The Virginia native plays the finger-style sitting with the instrument on her lap, conjuring stunningly beautiful, melodic contemporary folk music.
She significantly broadens her sound on Acadia, working with other talented musicians like Rich Ruth (synths) and William Tyler (guitars). On Harvest she is joined by Darian Donovan Thomas on violin, while Hummingbird is a foot-tapping bluegrass workout. Later tracks like Dreamlake and Malamu include electric guitar riffage, with the latter a tribute to her early guitar heroes Jimi Hendrix and Kurt Cobain.
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