Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Here’s looking at you, kid
DEBRA BENITA SHAW applauds the Booker prize winner: a short but powerful story urging us to save the planet
orbital
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Orbital
Samantha Harvey, Vintage, £9.99
SAMANTHA HARVEY’S Orbital has won the 2024 Booker prize. What it so skilfully and ambitiously exposes is the human cost of space flight set against the urgency of the climate crisis.
While a typhoon of life-threatening proportions gathers across south-east Asia, six astronauts and cosmonauts hurtle around Earth on the International Space Station. Their everyday routine of tasteless food and laboratory work is in stark contrast to the awesome spectacle of the blue planet, oscillating between night and day, dark and light, where international borders are meaningless.
On the International Space Station, borders are only visible on the side of the Earth that is under night and only really as clusters of artificial light which shows cities. Rivers are “nonsensical scorings … like strands of long fallen hair” and “the other side of the world will arrive in 40 minutes” blurring it all.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
