MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state

ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung

ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity,  Our Hero, Balthazar, Heartstopper Forever, and A Year In London

KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana

RITA DI SANTO talks to Scottish-Irish filmmaker MARK COUSINS about his new panorama of world cinema The Story of Documentary Film

MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness! 

ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists

ANDY HEDGECOCK, FIONA O’CONNOR and MARIA DUARTE review The Last Viking, Blue Heron, 500 Miles, How To Live On Earth, and Supergirl

MARIA DUARTE goes down a bilingual rabbit hole with an impressive Jodie Foster

ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry

LEO BOIX recommends a film that portrays how fascism feeds on ignorance, machismo and myth in isolated communities abandoned by the state

ANDY HEDGECOCK recommends a gripping and touching drama, based on a true story, about a Serbian refugee rebuilding his life in Bristol

JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey

ANDY HEDGECOCK peers into the US psyche to find deluded ambition, toxic aggression and an obsession with fame

Taxi Driver at 50: Martin Scorsese’s film remains a troubling reflection of our times, writes ALEXANDER HOWARD

In the face of Trump’s brutal aggression, DODIE WEPPLER and TRISH MEEHAN invite you to share some of the masterpieces of Cuban cinema

RITA DI SANTO points out that political films at Cannes, and overtly pro-Palestinian statements by film-makers, contradict the apolitical stance of the jury

JOHN GREEN, MARIA DUARTE and ANGUS REID review Fukushima: A Nuclear Nightmare, Man on the Run, If I Had Legs I’d Kick You, and Cold Storage

JOHN GREEN savours an elegy to black farmers in the deep south of the US: a vanishing way of life redolent with poetic and political meaning

MARIA DUARTE and MICHAL BONCZA review The History of Sound, H Is For Hawk, Saipan, and Mercy

MARIA DUARTE is swept along by the cocky self-belief of a ping-pong hustler in a surprisingly violent drama

RITA DI SANTO points out the social experience of exploitation and oppression that inform the popular winners at this year’s festival

ANDY HEDGECOCK recommends a cinematic glimpse of the role of the British in establishing the zionist state

MARIA DUARTE, LEO BOIX and ANGUS REID review Brides, Dead of Winter, A Night Like This, and The Librarians

MARIA DUARTE is entertained by a wry portrait of befuddled resistance to US authoritarianism

MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods

RITA DI SANTO reports on the films from Iran, Spain, Belgium and Brazil that won the top awards

The Star's critic MARIA DUARTE reviews Along Came Love, The Ballad of Wallis Island, The Ritual, and Karate Kid: Legends

MARIA DUARTE recommends the powerful dramatisation of the true story of a husband and wife made homeless

The Star's critics MARIA DUARTE and MICHAL BONCZA review Backlash: The Murder of George Floyd, The Uninvited, The Surfer, and Motel Destino