MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
There couldn’t be a more appropriate venue for this exhibition of porcelain tableware, which brings together 12 artists at the Nantgarw China Works Museum.
Making fine porcelain — “white gold” — was the defining moment in Nantgarw’s history when, in 1813, William Billingsley and Thomas Pardoe came to the farmhouse on the bank of the Glamorganshire canal, just north of Cardiff. It was a time when porcelain in Europe was a blue-chip commodity for the very wealthy.
The recurring theme of this exhibition is the fusion of boundaries between the functional and decorative in objects used on a daily basis as is the case with Justine Allen’s works.
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
KATAYOUN SHAHANDEH surveys Iran’s cultural heritage and explains what has been damaged and what could be lost
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist



