GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue

KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession

GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem

GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship