MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
No Man’s Land
Wyndham’s Theatre, London WC2
5/5
HAROLD PINTER’S play employs the metaphorical concept of “no man’s land” to explore the contested and indeterminate space between memory and identity in this enigmatic and beautifully written work.
The action takes place within the confines of the Hampstead home of the wealthy elderly writer Hirst (Patrick Stewart) who has brought home Spooner (Ian McKellen), a failed poet and potman who may be an old friend or, equally, a stranger.
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



