MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
Last Rites
Corn Exchange, Newbury
AD Infinitum’s latest one-man show co-devised and performed by Ramesh Meyyappan is a stylish hour, seamlessly combining expressive and delicate physicality with imaginative captioning and graphics along with a fully integrated, low-key score.
Centred around the last rites performed by the deaf son for his traditional Hindu father, it is a journey through their increasingly troubled relationship where his father’s stubborn unwillingness to engage with his son’s sign language has alienated the growing child from an obviously loving parent.
Reluctantly facing the washing ceremony that is the traditional duty of the eldest son as part of a Hindu funeral, Meyyappan turns the necessarily repetitive routine of delicately cleansing and anointing his dead father into an intense, graceful and emotional slow dance. Without spoken words his sign language and physicality create a series of vivid pictures of his father and the relationship they shared that expresses his profound sense of loss for their broken relationship.
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston



