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A Dickensian romp
DAVID NICHOLSON, eight-year-old BEHATI and nine-year-old SKYLAR applaud a hilarious production that doesn’t ignore the social message
VICTORIAN MORALITY FOR KIDS: A Christmas Carol at Sherman Theatre, Cardiff
[Mark Douet]
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
A Christmas Carol
Sherman Theatre, Cardiff
HATS off to the Sherman Theatre for a hilarious and scary production of Charles Dicken’s A Christmas Carol.
This was not your usual dramatic take on the ghostly seasonal favourite, but an imaginative and musical version of the classic by writer Gary Owen and director Joe Murphy.
The well-trodden tale of the redemption of a penny-pinching money-lender has been given a seasonal boost by setting it in Cardiff and including comedy, puppets, singing and dancing as well as casting Scrooge as a woman. But the core of the story about Victorian attitudes towards the poor and the state’s violence to those falling on hard times remains. As Skylar noted: “People were cruel to poor people because they had no money.”
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