MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
Latest editorial
Clarissa in times of Covid
RON JACOBS relishes a riotous epistolary novel of revenge against sexual harassment and patriarchy
NO PRISONERS TAKEN: Virginie Despentes
[Georges Biard/CC]
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
Dear Dickhead
Virginie Despentes, MacLehose Press, £14.99
VIRGINIE DESPENTES is a French author. A runaway, sex worker, punk rocker and iconoclast, her newest novel, titled Dear Dickhead, features a protagonist accused of sexual harassment and stalking his assistant.
This protagonist, who is a popular crime novelist, is called out by his victim during the period of the so-called #Metoo movement. The victim conducts her campaign on a personal blog that functions as a journal wherein she describes her experiences, the mental health crisis the harassment caused and her desire to destroy the man who victimised her.
The result, as it is played out in the novel’s pages, is vivid, sometimes humorous, painful and problematic. It is a battle of the sexes played by 2020 rules. The house formerly dominated by the male of the species doesn’t always have the odds in its favour.
Similar stories
RON JACOBS is enthralled by Roberto Saviano’s portrait of heroes and deplorables, that calls for people to stand up for themselves and the things they believe in
RON JACOBS enjoys a great tale, told by a US communist, of the lives of working-class New Yorkers
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
LEO BOIX reviews two powerful Latin American novels in which myth and crime fiction expose the deadly consequences of patriarchy, clandestine abortion and state violence