MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
Unchain Me
DreamThinkSpeak
Brighton Festival
IF REVOLUTION in 2022 is anything like dreamthinkspeak’s Unchain Me, it will involve technical hiccups with tablets, waiting in the rain, and lots of flights of stairs.
In an immersive, intense plunge into a clandestine struggle against the powers that be in Brighton and Britain, groups of audience members are invited to join “the campaign” and to help overthrow the system.
Based loosely on Dostoevsky’s The Devils, the piece by Tristan Sharps (who is also Brighton Festival co-director this year) is an urgent imagined rehearsal of what attempting to overthrow capitalism might look like.
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
HENRY BELL follows the lineage of revolutions, from the English to the Chinese, and asks where revolutionary politics exists today
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht



