MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
Latest editorial
An outrageous state to be in
Ken Loach’s film on austerity Britain makes the blood boil, says ALAN FRANK
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
I, Daniel Blake (15)
Directed by Ken Loach
5/5
PRECIOUS few directors can create work whose subject and emotional impact fill you with justifiably burning anger and make you forget that you are watching a film.
Ken Loach is one of those talented few and, that rarest of film-makers, an authentic auteur.
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