MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
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Provocative take on Faust in an age of rampant greed
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
Faustaff: The Mockery
of the Soul
Cockpit Theatre, London NW8
3/5
LIKE Punch and Judy in 16th-century England, Faust and Mephistopheles shows in Germany originated in the commedia dell’arte.
They were a blunt comedic instrument, poking ridicule at Faust and his association with the Devil.
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