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Another view of David Bailey
JOHN GREEN recommends a revelatory exhibition which sheds light on a very different aspect of photographer David Bailey’s work
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
MATTHEW HAWKINS welcomes an engaging and nourishing account of the queer subculture that flourished in London between WWII and partial decriminalisation
RON JACOBS welcomes the political lessons for today, about organisation and withdrawal from conflict, made by an erudite and conversational biography
NW1: Photographs by David Bailey at the Heni Gallery, London W1
5/5
FOR many, photographer David Bailey is indelibly connected with London’s “swinging ’60s,” fashion shoots and his canonisation in Michelangelo Antonioni’s classic film Blow-Up.
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