DAVID NICHOLSON applauds the revival of a joyous production that deals with choirs, competitions and communism
KATHE KOLLWITZ’S work reflects the events of the first half of the 20th century yet she continues to stand tall among anti-war artists and champions of the dispossessed of the present time.
Kollwitz broke completely with bourgeois aesthetics and made the subjugated and humiliated working class her sole artistic subject. Her work eloquently expresses the force, resistance and humanity of this class. Very often, she focuses on individuals or small groups who exemplify the fate of thousands, balancing their misery with dignity and human kindness.
This year marks the 150th year since her birth in Kaliningrad. The daughter of a bricklayer who recognised his daughter’s artistic talent early on, she was barred from studying art as a woman in her hometown and moved to Berlin and Munich to pursue her education.
CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
NICK MATTHEWS previews a landmark book launch taking place in Leicester next weekend
JOHN GREEN observes how Berlin’s transformation from socialist aspiration to imperial nostalgia mirrors Germany’s dangerous trajectory under Chancellor Merz — a BlackRock millionaire and anti-communist preparing for a new war with Russia



