GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet
While the others suffered
LYNNE WALSH is spell-bound by a production of Beckett’s classic that weaves the big themes of alienation into the warp and weft of humour and friendship
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Waiting for Godot
Theatre Royal Haymarket, London
IS this really a play in which nothing happens — twice, as so many critics have claimed?
Is it all nihilistic gloom, or is there a tale of comradeship against the odds?
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
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ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
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ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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A nervous year, showing that the theatre, like the world, stands on a precipice and seems uncertain where to jump
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ANDREW MURRAY welcomes a sympathetic history of two waves of left advance within Labour and the contest between the support they could mobilise and the forces ranged against them
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MARY CONWAY recommends you to see an outstandingly acted production of a great play that resonates with modern life