RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
While the others suffered
LYNNE WALSH is spell-bound by a production of Beckett’s classic that weaves the big themes of alienation into the warp and weft of humour and friendship

Waiting for Godot
Theatre Royal Haymarket, London
IS this really a play in which nothing happens — twice, as so many critics have claimed?
Is it all nihilistic gloom, or is there a tale of comradeship against the odds?
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