ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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What have we made?
Effectiveness lies in how much we identify with protagonists akin to ourselves; how much we’re all in this together
A SPINE OF TEMPERED STEEL: Christine Devaney
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
And The Birds Did Sing
Tron Theatre, Glasgow
WHEN, at the end of Curious Seed’s show And the Birds Did Sing, the performer Christine Devaney voiced the question: “Has anything changed?” I could have leapt to my feet and honestly answered yes.
Her timing was apposite. I had begun to be keenly aware of how differently I now felt, in comparison with having breached Glasgow’s Tron Theatre for a nestle and a curious watch, just an hour prior.
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