RUTH AYLETT recommends two anthologies: one that bears witness to refugee and immigrant experiences, and the other to our political relationship to water
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Simon Gray's play on Soviet double agent George Blake is disappointingly incomplete, says LYNNE WALSH
SETH SANDRONSKY appreciates a fresh take on a 100-year-old novel that helps to contextualise the current moment of conspicuous wealth, waste and climate chaos
A no-nonsense ex-Garda female cop, Scandi-noir’s newest flawed hero, the lure of Aussie gold, and unexpected decency in Silicon valley
JAN WOOLF doubts that soft-core musical is the best way to transmit an important story of heroism and resistance
Reviews of Ella Fitzgerald, My Morning Jacket, and Toria Wooff
GORDON PARSONS admires a version of Marlowe’s grim tragedy that strips it down to its gay essentials
When Cassy’s father fails to connect with his daughter — and misses out on
an evening in the Bitter End — a stranger’s self-mocking charm brings seething resentment.
Cell Mates
Hampstead Theatre, London
HERE'S a jigsaw piece in the story of 95-year-old former MI6 officer George Blake, now living in a dacha close to Moscow, who recently gave interviews saying that he held fast to his communist beliefs and remained optimistic.
Double agent Blake, sentenced five years earlier to 42 years in prison, was helped in his “comic-book” escape from Wormwood Scrubs to the Soviet Union in 1966 by petty criminal Sean Bourke.
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