Skip to main content
Donate to the 95 years appeal
Tripping in the afterlife
The Star's critic MARIA DUARTE recommends a wild foray into magic realism 

La Chimera (15)
Directed by Alice Rohrwacher

 


 
SUSPEND your disbelief and immerse yourself in this wild and surreal yet magical cinematic ride in pursuit of the unobtainable and something that cannot be grasped, La Chimera. 
 
Co-written and directed by Alice Rohrwacher, it is chimeric in structure, being both burlesque and whimsical in tone, as it moves from drama to comedy to fantasy adventure. 
 
Set in 1980s Italy, the film follows Arthur (the phenomenal Josh O’Connor), a foreigner, who is just out of prison and reunites with his band of tombaroli, a gang of grave robbers who raid archaeological sites and tombs and make off with the artefacts and the treasures they unearth inside, which they later fence. 
 
O’Connor, fresh from Luca Guadagnino’s Challengers, delivers a mesmerising performance in Italian as a fish-out-of-water character whose origins we can’t exactly work out but who is still stricken by grief. He is mourning the loss of the love of his life Beniamina (Yile Yara Vianello) but he is briefly distracted by Italia (Carol Duarte – but no relation to me!) who is Flora’s (Isabella Rossellini) intern/maid. 
 
His chimera, however, is Beniamina, Flora’s daughter, whom he decides to find by searching everywhere including inside the earth and travelling to the afterlife as Rohrwacher uses magical realism to transport you into different dimensions. 
 
It is completely bonkers but the charisma of these colourful characters who are each pursuing their own chimera keeps you invested. 
 
Plus Rossellini who gives an effortless masterclass in acting. Her scenes with O’Connor and their joyous repartees, mostly in Italian, are the highlight of a film which, like a chimera itself, is very difficult to define.
 
There is a great deal of warmth and love between these characters as they share their grief. Arthur leans deep into his tortured and angry soul. 
 

La Chimera isn’t going to be to everyone’s taste, but if you can suspend your scepticism and be open minded it will be worth it as O’Connor proves a revelation. 

Out in cinemas tomorrow.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
fotw
Film of the week / 5 June 2025
5 June 2025

MARIA DUARTE recommends an exposure of the state violence used against pro-Palestine protests in the US

round up
Cinema / 29 May 2025
29 May 2025

The Star's critic MARIA DUARTE reviews Along Came Love, The Ballad of Wallis Island, The Ritual, and Karate Kid: Legends

fotw
Film of the Week / 29 May 2025
29 May 2025

MARIA DUARTE recommends the powerful dramatisation of the true story of a husband and wife made homeless

IMPECCABLE: Benicio Del Toro as  Zsa-zsa Korda and Mia Threapleton as his daughter Liesl in The Phoenician Scheme
Film of the week / 22 May 2025
22 May 2025

MARIA DUARTE is in two minds about a peculiar latest offering from Wes Anderson

Similar stories
THE PERILS OF INTERNET DATING: (L) Ruaridh Mollica in Sebast
Cinema / 3 April 2025
3 April 2025
The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
VALENTINE'S DAY BLUES: (L) Memoir Of A Snail; (R) Bridget Jo
Cinema / 13 February 2025
13 February 2025
The Star's critic MARIA DUARTE review Cottontail, Memoir of a Snail, Bridget Jones: Mad About the Boy, and Captain America: Brave New World
Daniel Craig and Drew Starkey in Queer
Cinema / 12 December 2024
12 December 2024
Hallucinogenic homosexuality, a quantum thriller, airport shenanigans and feminist Tolkein: MARIA DUARTE reviews Queer, The Universal Theory, Carry On and Lord of the Rings: The War of The Rohirrim
(L) Juliette Gariepy in Red Rooms; (R) Morfydd Clark in Star
Cinema / 5 September 2024
5 September 2024
Yorkshire chills, tangled in the dark web, pregnancy diaries and brackish juice: MARIA DUARTE reviews Starve Acre, Red Rooms, My First Film and Beetlejuice