Nearly two decades after leaving office, the former PM is still trumpeting the same futile militarism and failed free market dogmas. The question naturally arises: why does anyone still listen to him, says ANDREW MURRAY
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The Tory Megacrapolis
Francis Ford Coppola’s latest film centred on a ‘New Rome’ gets STEPHEN ARNELL wondering about the similarities between lame-duck PM Sunak and one of the last Roman emperors, Honorius
The Favourites of the Emperor Honorius (1883), by John Williams Waterhouse
[Public Domain]
Very modest growth in membership serves to underline the need for a change of recruiting strategies, posits NIGEL FLANAGAN
DIANE ABBOTT debunks claims made politicians drumming up support for an enhanced militarisation of the British economy
The Morning Star’s AGM tour comes at a critical moment for both the British left and the newspaper itself, as it battles political fragmentation and media industry upheaval. Editor BEN CHACKO issues a clarion call to readers to play their part in the coming period
The growing argument that welfare must be sacrificed for ‘security’ is built on nothing but myth, argues MICHAEL BURKE
Esmond Romilly horrified Britain’s Establishment by turning from privileged schoolboy to anti-fascist fighter, writes MAT COWARD
DIRECTOR Francis Ford Coppola’s epic Megalopolis premiered to mixed reviews in Cannes last week.
The plot concerns a “New Rome” on the Hudson (basically New York) blighted by an accident which throws the city into contentious debate as to its potential rebuilding. Either as a resident-friendly utopian “Megalopolis” of the future, or as just a barely functional updated version of the previous iteration.
Such debates have informed wannabe sci-fi-esque burghs such as Saudi Arabia’s proposed city The Line, a 500m tall, 200m wide, habitation extending 170km into the desert.
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STEPHEN ARNELL looks back to when protesters took to the streets in London demand to Irish liberty, fair pay and free speech — and wonders what’s changed in 138 years
Labour councillor PAUL DONOVAN wonders why the right-wing party gets so much more media attention than it seems to merit
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
