ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Take back the land for the common good
PAUL DONOVAN applauds a highly important book that appears at a crucial time in the present biodiversity and climate crisis
DESPICABLE PASTIMES: John Ferneley, Edward Horner Reynard and his Brother George Grouse-Shooting At Middlesmoor, Yorkshire, with Their Gamekeeper Tully Lamb, 1836
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
The Lie of the Land
Guy Shrubsole, William Collins, £22
THIS book provides vital reading for government ministers, activists and anyone who cares about the future of the planet.
Guy Shrubsole reveals how the limited number of people who own land in Britain have overseen the trashing of this asset under the guise of being good stewards.
There are telling statistics, such as that just 5 per cent of the land is taken for private homes and gardens. This figure rises to 8.8 per cent if the definition is extended to all land built on. A further 73 per cent is farmland and 10 per cent forestry.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
