From Frazier in Manila to Wardley in Manchester, the decision to stop a fight remains boxing’s greatest moral test, writes JOHN WIGHT
THE World Championship is snooker’s version of Test-match cricket.
It is a measure not only of break-building, shrewd safety and masterly cue-ball control, but also of how well a player can navigate long sessions of snooker and even longer matches, and handle the tension produced by the tournament’s unique and iconic Sheffield setting, the Crucible Theatre.
This year’s tournament is already down to the fabled one-table setup – the partition separating the two tables from the early rounds is lifted and the sport becomes real theatre.
Forward’s rise as the tournament’s leading scorer reflects a journey shaped by heritage and belief as Morocco reach the final, writes JAMES NALTON
JAMES NALTON on Munyua’s stinging success at the World Darts Championship
Joao Pedro’s emotional goals against Fluminense captured the magic of an international club competition. But even as fans bring colour and passion, the Club World Cup’s deeper issues loom large, writes JAMES NALTON



