ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
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LYNNE WALSH recommends an outstanding production with the zeal to tell stories of our socialist past
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
Behold Ye Ramblers
Sands Film Studio
THREE things stand out in this exhilarating show: the power of song, the zeal to tell stories of our socialist history, and the mastery demanded of the solo artist.
Townsend Theatre productions are invariably politically motivated, yet their narratives of class struggle are always twinkled through with humour and plenty of audience participation.
Their aim here is to bring us the astonishing tale of the Clarion newspaper, and the social movement it spawned. Founder and journalist Robert Blatchford started the paper in 1891, out of his own pocket. At its height, it sold between 30,000 and 70,000 copies a week. Contributors included Rebecca West, George Bernard Shaw and Walter Crane.
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