SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
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One for Almodovar fans
ALAN McGUIRE recommends an autobiography that is an intriguing mix of short stories and personal sketches
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End
CHRIS MOSS welcomes a radical history that brings marginalised stories and overlooked people and agencies to the centre
The Last Dream
Pedro Almodovar, Harvill Secker, £16.99
PEDRO ALMODOVAR is a Spanish film-maker known for his vibrant, emotionally charged films that often explore themes of identity, sexuality, family, societal taboos and human relationships.
Coming from the deeply religious and bare landscape of Castilla la Mancha to the vibrant capital of Madrid in the throes of la movida, a counter-cultural movement following the death of Spain’s dictator Franco in 1975, Almodovar is himself a mixture of the various Spanish cultures.
In his work he breaks mainstream stereotypes of Spaniards, often with images and realities that the country’s conservatives would rather forget.
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