A recent Financial Times column on the Iran war exemplifies how the Western elite worldview is more concerned with strategy and power than legality or human life, writes ANDREW MURRAY
“AT any moment, this music will raise numerous questions. Is it Vietnamese? Or jazz? Or traditional music, blues, African, Indian … is it written — or is it improvised?”
These questions are asked by the guitarist Nguyen Le within the sleeve notes of his extraordinary album with the “traditional” musician also from Vietnam, Ngo Hong Quang.
Le was born in Paris in 1959 of Vietnamese parents and has spent a jazz life within two often powerfully contesting traditions.
As part of the 2025 London Jazz Festival Rich Mix offered intriguing sessions titled 'Persian Jazz,' CHRIS SEARLE was there
KEVAN NELSON reports back from a delegation to the epic celebrations for the anniversary of Vietnam’s 1945 revolution, where British communists found a thriving, prosperous socialist country, brimming with ambition and well-earned national pride
KYRIL WHITTAKER looks at what guides Vietnam 50 years after reunification



