MARY CONWAY is gripped by the powerful emotional journeys portrayed by the parents of the perpetrator and victims of a mass shooting
The Constituent
The Old Vic, London
IT’S rare, in the current climate, to explore the intimate life of a good, well-meaning MP, but Joe Penhall’s The Constituent does just that.
Monica, played with earnest conviction by Anna Maxwell Martin, is an opposition backbencher, bravely fielding responsibility at every turn. Personally, she’s an overstretched wife, daughter and mum; professionally her time is filled — not so much with the glamour of Westminster but with a relentless stream of troubled constituents at her regular surgery.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
SCOTT ALSWORTH searches for something – anything – worth recommending from the year’s releases
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual



